皆为好事

　　Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.。就在这些声音齐鸣的同时，我又听到了一声咆哮，我曾经听到过的那条阴狗的咆哮从远方传来，很快，就有脚步声传过来，不过不是单一的动物的脚步声，而是踏踏的好像是有一对动物一起冲过来的脚步声，我开始警觉了起来，……